In the early Middle Ages, women formed a strong community, they orally passed down stories, folk cultures and were skilled healers. They were called Gossips from god-sibb meaning close kinship. The Gossips were the 'women friends' (Silvia Federici, 1998). With the advent of capitalism and the strengthening of patriarchal authority, the term took on the negative connotation of female gossip, freedom was lost and those who rebelled against these restrictions were burnt at the stake as heretics. Hence the inspiration for The Gossips' Chronicles a guided tour that tells two different versions of the story of artefacts displayed in a torture museum. Here, the word Gossips refers to a community of living beings, in tune with nature and the cosmos, who are stripped of their objects for the sake of capital possession and then exterminated to destroy their memory. The story develops from the objects of torture that have come down to us today: historical fakes, whose stories collapse, leaving room for doubt and uncertainty as to where the boundaries between true and false lie.